Imen Marie Agnes Adili
2022 / 1 / 25
John 11:17-37
Jesus Comforts the Sisters of Lazarus
17 On his arrival, Jesus found that Lazarus had already been in the tomb for four days. 18 Now Bethany was less than two miles[a] from Jerusalem, 19 and many Jews had come to Martha and Mary to comfort them in the loss of their brother. 20 When Martha heard that Jesus was coming, she went out to meet him, but Mary stayed at home.
21 “Lord,” Martha said to Jesus, “if you had been here, my brother would not have died. 22 But I know that even now God will give you whatever you ask.”
23 Jesus said to her, “Your brother will rise again.”
24 Martha answered, “I know he will rise again in the resurrection at the last day.”
25 Jesus said to her, “I am the resurrection and the life. The one who believes in me will live, even though they die-;- 26 and whoever lives by believing in me will never die. Do you believe this?”
27 “Yes, Lord,” she replied, “I believe that you are the Messiah, the Son of God, who is to come into the world.”
28 After she had said this, she went back and called her sister Mary aside. “The Teacher is here,” she said, “and is asking for you.” 29 When Mary heard this, she got up quickly and went to him. 30 Now Jesus had not yet entered the village, but was still at the place where Martha had met him. 31 When the Jews who had been with Mary in the house, comforting her, noticed how quickly she got up and went out, they followed her, supposing she was going to the tomb to mourn there.
32 When Mary reached the place where Jesus was and saw him, she fell at his feet and said, “Lord, if you had been here, my brother would not have died.”
33 When Jesus saw her weeping, and the Jews who had come along with her also weeping, he was deeply moved in spirit and troubled. 34 “Where have you laid him?” he asked.
“Come and see, Lord,” they replied.
35 Jesus wept.
36 Then the Jews said, “See how he loved him!”
37 But some of them said, “Could not he who opened the eyes of the blind man have kept this man from dying?”
In a novelistic style drawing from the river of literature, the book of the gospel traces through these verses the melancholy of a story sunk in the abyss of death which must be thought of here in a context of resurrection digging the lair of a story to be repeated in "churches" and "chapels" in order to show compassion towards the dead and their loved ones always reciting stories without the slightest truth in feelings but it is just the dark reality of seeking the quest in order to be able to celebrate death.
Borrowing from the novelistic narrative expressions that recall the virtue of compassion and mercy, the ultimate goal of these interminable commemorations of these stories is to associate with the characters through the imaginary to do the opposite in the reality of these "places of worship".
Hence it was in a dark cave that the human mind was banished in favour of the imaginative mind which, premeditates very serious crimes in the den of its thought, and subsequently associates with characters of a moralistic narrative in order to define, through its criminal acts, hypocrisy which leaves through the crimes committed the imaginary notion in order to espouse the truth of the crime
Nevertheless, the fictional imagination must never be transformed into a sacred asyle, an old vestige, hypocritical enough to bury the crimes of the "saints" of this cave recognised by the "Catholic Church"´-or-any other cave that serves as a den for brigands and mafia.
Wandering since the abyss of ancient times in these gloomy places, these sullen spirits always seek an old hiding place to bury their crimes, because the old hiding place hardly harbours remorse and shame, since crime according to it is normal.
Such a hazy mind can only develop pathological thoughts that take refuge in crime by uttering oh so verbose talk about moralistic narratives, the debris of accursed ages incinerated in the amphigoric horizons of a new era that ignores substantial truth in order to use the language as a linguistic practice of an idiom specific to a sectarian community.
In the complex background and through the confused paths of the cursed ages, the representative spirits of real hypocrisy fall into the murky chasms of ambiguities and contradictions, into the anarchy of languages and the presidential lair of the wizards of politics the profaners sacred tombs of modern times constantly drawing on the mythology of antiquity and theological stories in order to dress the customs of the characters in an always theatrical perspective, the deep wound which marks the definitive divorce between the scene of the notion called life and truth defined philosophically as
"Knowledge recognized as fair, as conforming to its object and possessing as such an absolute, ultimate value."
the sovereign and supreme truth which testifies to its spiritual origin which must be in conformity with the practice.
• From where there is something to meditate on the taciturn tombs of the hypocrites who drag their heavy and nebulous silhouettes and clandestine feathers who pour out words and amphibological sentences which hardly testify to a double language but to a unique hypocritical substance and abhorrent
ensuring a small obscure and frail presence and which faithful to its cerebral prostitution thinks of using the language by pouring its senses in order to steal a little money.
This is why in a context marked by mental hypocrisy and a beleaguered language, to dare to speak of ethics is just to abandon the sects to their sad fate hence a moralistic narrative must inspire actions and not provoke misplaced hilarity from small minds that do not rethink the depth of human relationships that should be defined through true compassion and mercy but borrow these narratives in order to assimilate to the celebrity of their characters this is how the pope of the accursed ages consoles the sisters, those old maids besieged by loneliness sentimental misery and the impossibility of carrying life in their barren wombs, yes he consoles them by prescribing the miracle cure of masturbation.
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